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Works
Sole Authorship
A
Wife For A Moneth
by John Fletcher, David Rush Miller, Ed.
US $27.75
Paperback Vol 36
Rodopi-USA/Canada; January 1983
A lesser-known sole authorship play by Fletcher.
Collaborations with Beaumont
Collaborations with Shakespeare
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King
Henry VIII : Or All Is True
(The Oxford Shakespeare)
by William Shakespeare, John Fletcher, Jay L. Halio (Editor)
US $72.00
Hardcover
Oxford Univ Press; February 2000
"This is the first fully annotated and comprehensive
modern-spelling edition of King Henry VIII to appear
for over a decade. It makes full use of current scholar-
ship on the dating, authorship, printing, and sources
of the play, as well as critical interpretations."
—The Publisher
A
sample in .PDF format
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it from Amazon.co.uk
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Collaborations with Massinger
The
Custom of the Country
by John Fletcher, Philip Massinger
US $15.00
Paperback 1st edition
Theatre Arts Books; March 1999
"There is more Baudry in one Play of Fletcher's, called
The Custom of the Country, than in all ours together."
—Dryden
"Once famed for its obscenity, this vigorous and enjoyable
play traces the fortunes of two brothers shipwrecked in a
foreign land. By turns poignant and risque, sentimental and
satirical, its beautifully crafted plot embodies the collaborative
art of its authors." —Book Jacket.
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Three
Renaissance Travel Plays
by John Day, John Fletcher [& Philip Massinger], Richard Brome
Hardcover
US $79.95
Paperback
US $29.95
Manchester University Press; August 1995
"The collaborative authors of the
first two plays are usually
shortened to John Day for "Travels" (1607) and John Fletcher
for "The Sea Voyage" (1647). "The Antipodes" (1640) was
written by Richard Brome. They all draw on the tales and
discoveries generated by 15th-century explorations in Africa,
Asia, and the New World. Annotations explain historical
references and define obsolete words or phrases."
—Book News, Inc.
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it from Amazon.co.uk
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Other Collaborations
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The
Dramatic Works in the Beaumont and Fletcher Canon, Vol 10
by John Fletcher, Robert Kean Turner (Editor), George Walton Williams
(Editor)
US $145.00
Hardcover Vol 10
Cambridge Univ Pr (Short); July 1996
"This volume contains the texts of six plays written
by Fletcher and his collaborators, Nathan Field,
Philip Massinger, Ben Jonson, George Chapman,
John Ford and John Webster. The plays are The
Honest Man's Fortune, Rollo, Duke of Normandy,
The Spanish Curate, The Lovers' Progress,
The Fair Maid of the Inn, and The Laws of Candy."
—The Publisher.
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Critical Studies
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The
Politics of Unease in the Plays of John Fletcher
(Massachusetts Studies in Early Modern Culture)
by Gordon McMullan
US $40.00
Hardcover
Univ. of Massachusetts Press; January 1994
"Arguing that knowledge of Fletcher's oeuvre is essential
to an understanding of Renaissance drama as a whole,
this study analyzes Fletcher's unique response to the
particular cultural and political conditions of Jacobean
theater." — Book News, Inc.
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it from Amazon.co.uk
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Debt
to Shakespeare in the Beaumont and Fletcher Plays
by David McKeithan
US $9.50 + $0.85 special surcharge
Hardcover Repr 19 edition
AMS Press; June 1970
Reprint of a worthy critical study.
The
Influence Of Beaumont And Fletcher On Restoration Drama
(BCL1-PR English Literature)
by John Harold Wilson
US $69.00
Library Binding
Reprint Services Corp; 1928 (May 1992)
Philip
Massinger & John Fletcher: A Comparison
by Henri J. Makkink
US $75.00
Library Binding
Haskell House Pub Ltd; October 1969
"An attempt to establish the authorship of those plays
which the two wrote together, and those parts of others
which were rewritten or revised by Massinger."
—Amazon.com
Honor
Conflicts and the Role of the Imagination in Selected Plays by John
Fletcher and Lope De Vega
(Garland Studies in Comparative Literature)
by Margaret R. Hicks
US $50.00
Hardcover
Garland Pub; August 1990
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Textual
Intercourse : Collaboration,
Authorship, and Sexualities in Renaissance Drama
(Cambridge Studies in Renaissance Literature and Culture , No 14)
by Jeffrey Masten
US $20.95
Paperback
Cambridge Univ Pr; February 1997
"[B]rings together literary criticism, theatre history, the
study of printed books, and gender studies, to show how
the writing of Renaissance drama was conceptualised in
the languages of sex, gender, and eroticism. Jeffrey
Masten argues that the plays of Shakespeare and others,
and the way in which those plays were first printed, illus-
trates a shift from a model of collaboration to one of singular
authorship. Using methods attuned to sexuality and gender,
Masten illuminates questions of authorship and intellectual
property." —The Publisher.
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it from Amazon.co.uk
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